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Author: David Barker

Victoria At Night

Posted on February 18, 2015October 16, 2022 by David Barker

Victoria is worth exploring at night, and not just because the legislature is lit up like a Christmas tree. February is off season, so the streets are really quiet. The winter emptiness underscores how much Victoria is dependent upon tourism.

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Victoria – The Inner Harbour

Posted on February 17, 2015October 16, 2022 by David Barker

While the rest of Canada descends into a deep freeze, things stay balmy in Victoria. There’s a calm that settles over the waters of the inner harbour, broken from time to time by the sea planes, then still at night.

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Victoria, B.C. – The Tourist’s View

Posted on February 16, 2015October 16, 2022 by David Barker

I just got back from a week in Victoria, B.C. It’s the first time I’ve been out there with my 5D Mark III, so (in between downpours) I spent a lot of time shooting the town.

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Rides @ the Distillery District

Posted on January 15, 2015October 16, 2022 by David Barker

I shot these (merry-go-round & ferris wheel) during the Christmas Market at the Distillery District. I didn’t have a tripod with me so just jammed the camera against a post and prayed.

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First Peoples at the ROM

Posted on January 14, 2015October 16, 2022 by David Barker

As a photographer, I’m naturally drawn to a display in the First Peoples Exhibit at the Royal Ontario Museum. It’s a “Mohawk Family Life Group Diorama” composed of plaster figures by an American sculptor who completed them for the museum in 1917.

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A Day At The ROM

Posted on January 13, 2015October 16, 2022 by David Barker

Photographs from the Royal Ontario Museum:

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Cathédrale Notre-Dame de Paris

Posted on January 12, 2015October 16, 2022 by David Barker

The third installment in my impressions of Paris series. This time: the cathédrale Notre-Dame de Paris.

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Impressions of Paris – II

Posted on January 9, 2015October 16, 2022 by David Barker

This is the second installment in a series of images of Paris. I post them here as a way to pause and mark events that have thrown the city into turmoil.

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Impressions of Paris

Posted on January 8, 2015October 16, 2022 by David Barker

In light of the Charlie Hebdo killings, I thought I’d devote the next few posts to Paris just as a way to hold the people of Paris in mind.

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Men At Work

Posted on January 7, 2015October 16, 2022 by David Barker

Over time, as I do more street photography, I expect I’ll accumulate enough images to mount a credible “Men At Work” series. To be balanced, I should also mount a “Women At Work” series, too, but that will take longer because there seem to be far fewer women who work in open spaces.

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Washing The Stemware

Posted on January 6, 2015October 16, 2022 by David Barker

Last night at TCC (Toronto Camera Club) I got Best In Show in the pictorial competition for the “Altered Reality” category. I call my image “Washing The Stemware.”

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Photo Movie: Salvador

Posted on December 31, 2014October 16, 2022 by David Barker

Salvador is a great movie to watch if you’re interested in photojournalism. Richard Boyle (James Woods) is a burned out journalist (and self-professed weasel) who, along with a DJ sidekick, Doctor Rock (Jim Belushi), heads down to El Salvador to see if he can pick up some freelance work.

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Shooting Into The Light

Posted on December 30, 2014October 16, 2022 by David Barker

The rule of thumb is: shoot with the sun to your back. It’s a good rule. It means your subjects are well lit and your colours are more saturated. You don’t have weird lens flares or washed out subjects. And yet, sometimes, rules need to be broken.

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MXC – Wave – Graffiti

Posted on December 29, 2014October 16, 2022 by David Barker

Yesterday, while I was walking under the St. Clair Street Bridge (aka The Vale of Avoca), I saw this guy finishing up a “Wave” on one of the concrete supports. He tagged it MXC.

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White Picket Fence

Posted on December 26, 2014October 16, 2022 by David Barker

In his book, The Ongoing Moment, Geoff Dyer writes at length about the white picket fence as a photographic subject. He begins with a well-known photograph which Paul Strand shot in or about 1917.

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