Urban Scenes: Montréal

Posted on by David Barker

It’s been a long time since I was last in Montréal. Decades, in fact. As a kid, I’d go at least once a month with my parents to visit my grandparents. One of my earliest memories comes from Montréal: Expo ’67. I don’t remember much about Expo ’67 except that I got my hand smushed by the monorail door. I was staring out the door’s window, hands pressed against the glass. When the monorail pulled into the station, the doors retracted into their slots and dragged one of my hands with them. I remember screaming and screaming.

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Street Photographs From Montreal

Posted on by David Barker

This post is dedicated to my spouse, lover, therapist & best friend, Tamiko, for her measureless patience. When we holiday together, I insist on using my camera, not to shoot the sights like a normal tourist, but to treat our time away as an opportunity to get good photographs. So it was last week in Montreal. It’s an addiction; I can’t help myself. She turns her back for a minute and I’m gone.

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Photography Betrays God’s Creation

Posted on by David Barker

“To fix fleeting images is not only impossible, as has been demonstrated by very serious experiments in Germany, it is a sacrilege. God has created man in His image and no human machine can capture the image of God. He would have to betray all his Eternal Principles to allow a Frenchman in Paris to unleash such a diabolical invention upon the world.”

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Chasing Luck At Toronto City Hall

Posted on by David Barker

This is a followup to yesterday’s post. There, I suggested that street photographers can engineer their luck by going to heavy traffic locations when light is good, and then shoot and shoot and shoot. If they persist, they get good shots. Yesterday, I featured shots from the intersection of Yonge & Dundas Streets. Today, it’s the area around Nathan Philips Square at City Hall.

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Go To Where Luck Is

Posted on by David Barker

In photography, never rely on luck; go to where luck is and rely on skill. Or, to put it differently, an essential part of the photographer’s craft is to engineer luck. In the genre of street photography, a good way to engineer luck is to place yourself in a heavily traveled public space when the light is good and shoot and shoot and shoot.

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Kelvingrove Art Gallery and Museum

Posted on by David Barker

I like John Cage’s approach to music and think it’s equally applicable to other media. During a performance, Cage would open a concert hall and allow all the ambient noise—honking horns and jack hammers—to impinge on the scored music. He saw no necessary distinction between the “official” music listed on a program and the other sounds we encounter in our daily lives. In the same spirit, I see no necessary distinction between the curated works of art that appear in a gallery and the visual gifts that appear in my camera’s lens.

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Scottish Scenes

Posted on by David Barker

Some of these images are exercises in poor-weather photography. Overcast sky. Threat of rain. Absence of shadows. The last image stands as proof that the sun can indeed shine in Scotland, though not reliably. All these images, regardless of weather & lighting conditions, have at least one thing in common. They all break a basic “rule” of photography: don’t run the horizon line through the centre of your image; place it on one of the lines dividing the image into thirds.

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Glasgow Street Photography

Posted on by David Barker

Over the past year, I’ve had the good fortune to find myself in some of the world’s best locales for street photography: Manhattan, Hong Kong, & Singapore. Although Glasgow is much smaller by comparison, it shares the vibe that makes these larger cities such great places to shoot.

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Jellyfish

Posted on by David Barker

Last week, we stayed overnight at a beach south of Dunure on the west coast of Scotland. At low tide, we were able to walk along the sand to Culzean Castle. If we’d been more ambitious, we could have continued along to the village of Maidens where Donald Trump has lent his name to a luxury resort. If we’d been really ambitious, we would have duffed golf balls through the windows, but why waste perfectly good balls?

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Speaking Scottish

Posted on by David Barker

While (or is it whilst?) visiting Glasgow & environs last week, I was introduced to the sitcom, Still Game (available on Netflix). It’s about two widowers who share a council flat on the outskirts of Glasgow. They frequent the local pub where they round out their geriatric adventures with a few pints and, like all Glaswegians, the more they drink, the broader their accent. There is banter that, to my North American ear, is incomprehensible.

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Toronto Pride Parade 2016

Posted on by David Barker

I’ve decided to present all my images from Toronto’s Pride Parade(s) in black and white to mark the black and white terms that seem to have corseted the Pride/BLMTO conversation. I’m not sure representatives of either group speak for much beyond the right to make themselves the targets of corporate marketing in heavily sponsored parades.

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My Grandmother’s Eyes

Posted on by David Barker

My Grandmother died on April 20th. I’ve never been present before when a death is declared. My grandmother had obviously expired, but the attending VON lacked the necessary government-approved certification to say unequivocally that she was dead. At times like this, I become strangely practical. I suggested we turn off the oxygen machine (why waste perfectly good oxygen?), but the VON said no; we needed to wait until his supervisor arrived and declared the death.

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Religiosity On The Streets

Posted on by David Barker

One day, my photography habit is going to turn me into a bona fide sociologist. I’d love to conduct an investigation of religiosity on the streets. While mainstream media keep harping at the secular/humanist/agnostic shift of the mainstream-cultures/middle-classes/people-who-pull-twenty-dollar-bills-from-their-pockets, that shift doesn’t appear to have touched those who live in the margins.

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