It seems everyone who has their hands on a 5DS has been posting samples so people can download giant image files (50 megapixels) to see how giant an image file can get. I’ll offer a couple images here (just to get it out of my system), then side step the whole giant image thing which, after all, is nothing more than a photographic pissing contest.
Here you go. Image #1 is an early morning shot of Toronto’s skyline as viewed from Governor’s Hill overlooking the Evergreen Brickworks. I used a Sigma 50mm f/1.4 Art lens. ISO 100, f 8.0, 1/60.
I’ve also attached a 800 x 1200 pixel swatch from the above image so you can see the level of detail possible when an image is viewed at %100 resolution on a monitor.
A few things are immediately apparent. First, if you inspect photos at %100 on a computer monitor, you’ll end up thinking most of your images are garbage. Even the slightest shake produces blurred pixels. The old rule about minimum shutter speed (i.e. for hand-held shooting, your minimum shutter speed should be the inverse of your focal length) gets tossed out the window. With a 50 megapixel sensor, clarity on a pixel by pixel basis is impossible without a good tripod. That said, when you DO achieve that level of clarity, the result is amazingly crisp. After my first day out with the 5DS, I was getting images that pop in a way I’ve never been able to achieve with my Mark III. Download a full size (8688 x 5792) jpg here.
Image #2 is a graffiti-covered trestle that crosses the Don River. I used the Canon EF 70-200mm f/2.8 L USM at 70mm. ISO 100, f/11, 1/50. Download a full size jpg here.
The second thing that is immediately apparent is that images become grainier at lower ISO settings than with the Mark III. Maximum ISO on the 5DS is 12800 whereas on the Mark III it’s 102400. Simply put: the 5DS doesn’t perform well in low light. That’s another argument for using a tripod. For best results, shoot in the ISO 100-400 range and slow everything down.
Now let’s side step that pissing contest. One of the great advantages of the 5DS is NOT the size of the image it produces, but the huge amount of play it offers in terms of cropability (is that even a word?). If you’re a purist who believes everything should happen in camera, then you may want to ignore everything else in this post. But if you believe it’s okay sometimes to reserve framing and composition considerations until post production, then read on. The 5DS is your friend.
Take my 3rd image as an example:
I shot this hand held with Canon’s EF 100mm f/2.8L Macro IS USM lens. ISO 400, f/5.6, 1/80. Because damselflies are easily spooked, I stood back a discreet distance & subsequently cropped the image to 5760 x 3840. The reason for those dimensions is that they are identical to the Mark III’s maximum image size. I simply wanted to demonstrate that I can sacrifice nearly 60% of the image and still end up with something printable to the size of a large painting.
Here’s a more extreme example:
Also shot hand held with the Macro lens, I’ve cropped this fly to 3093 x 2062. While the resulting image can’t fill a wall (& who would want it to?) nevertheless, I could print it at a high quality resolution on a letter-sized sheet of paper.
stunning images.
Thanks, Mark. I’m going to have to get back to Scotland one of these days!
All I can say is “Wow!”. Fantastic detail. What a fabulous “toy.”